Born
and raised in Spokane, Williams was inspired early on by his old 78 rpm records
of America’s “Blue Yodeler,” Jimmie Rodgers. In 1949, at age 11, Williams
received a guitar for Christmas and by ’53 he was performing live on KXOI, the
town’s first television station. The Union Oil Co. began sponsoring his radio
show on KSPO the following year. Soon he was also appearing on the local cowboy
TV show, Saddle Up With Slim.
Later
in ’54 Williams decided to attend the second annual Jimmie Rodgers Memorial
Celebration in Meridian, Mississippi. Travelin’ cross-country to the event,
Williams was arrested for hitchhiking near Colorado Springs. When the UPI
newswire ran a photo of him perched up on the local police chief’s desk
strumming his guitar, it made a big splash in the nation’s morning papers. In the end, the lawmen chipped in and bought
the kid a bus ticket to complete his journey southward. When he arrived in Meridian, Williams was
welcomed as a hero and he performed at the event, as did a pre-fame Elvis
Presley.
Williams
was back in Spokane working several network radio shows when in mid-’55 he was
signed to Town hall Party – the west coast’s top country music TV program. He
moved to Los Angeles and appeared for several years along with the likes of:
Tex Ritter, Lefty Frizzell, the Collins Kids, Johnny Bond, Wanda Jackson, Carl
Perkins, and Seattle’s own country star, Bonnie Guitar. Then in ’56 he went to
Nashville and guested a few times on Webb Pierce’s ABC-TV show. Williams also
performed on the Louisiana Hayride and
Red Foley’s Ozark Mountain Jubilee.
He returned to Town Hall Party and during the same season sang a few rock ‘n’
roll songs on Screen Gem’s daily TV show, Ranch
Party.
Contacted
by the big-time showbiz combine, MGM-Verve, Williams participated in his first
professional recording sessions. His 1957 hillbilly bopper of a single,
“Travelin’ Blues Boy” / “I’m Gonna Return” (Verve #10083) featured the stellar electric
guitar-work of Merle Travis and the backing of additional Hollywood session
heavies. The Teen Time
album
(MG-V-2083) –
which also featured a couple additional talents
(Rock
Murphy and Jeff Allen) – gave all of these young musicians a fairly prominent career boost, and is likely why Williams' "Travelin' Blues Boy" is best remembered today, and was even reissued in England a few years back on the MGM Rockabilly Vol. 2 LP.
The
Fall of ’57 saw Williams forming a band that toured the western states, and by
’59 he was a regular on many a Grand Ole Opry concert tour. Road-weary and longing a bit for home,
Williams accepted an offer in May 1960 to spin discs at Spokane’s new country
station, KPEG. Later that year he recorded his classic eponymous LP for the
local Manito label, a disc that included his rockabilly twanger, “Walla Walla
State Prison.”
Between
1961 and ’65 Williams cut numerous records and performed all over the region
with his band, the Travelin’ Blues Boys. While gigging in Alaska in ’63
Williams penned a song which was released as a single by Seattle’s Panorama
Records in August ’64. “Alaska” became a solid radio hit, charting at numerous
stations, and attaining the #1 slot on several including Seattle’s country
giant, KAYO.
This
brief essay can’t begin to detail all of Williams recordings, or his many wild
escapades. But it is a fact that he has recorded over 600 songs for at least 14
different labels, and his tunes have been covered by stars including Webb
Pierce, Freddy Hart, and Spokane’s own Bobby Wayne. Williams also produced,
wrote, or played guitar on local recordings by Little Aldene, Cliff Carl, and
Charlie Peltier – and Folk Variety Records has issued several LPs worth of his
band’s best recordings.
In
1975 Williams formed his own Gospel Time label, and his last 23 albums released
since 1965 have been comprised of songs of faith, country hymns, and old-time
nostalgia tunes. Today Williams continues touring, performing mainly for church
groups.
[Note:
This is an edited version of an essay that originally appeared in the
“Northwest Music Archives” column of Seattle’s The Rocket magazine back in July, 1986.]
Text copyright © 1986, 2014 by Peter Blecha.
Text copyright © 1986, 2014 by Peter Blecha.